Secretaria da Cultura
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São Paulo companhia de Dança Associação Prodança

SPCD

History

Created in January 2008 by the Government of the State of Sao Paulo, The São Paulo Dance Company (SPDC) is directed by Inês Bogéa, doctor of arts, ballet-dancer, documentary maker and writer. The SPDC presents shows in the state of Sao Paulo, Brazil and abroad. During this period, their works have been viewed by more than 700 thousand people in 17 different countries, in approximately 140 cites over more than 900 performances.
Indigo Rose (1998) Imagem 2 Mamihlapinatapai
Imagem 4 Gnawa Grand Pas de Deux de Dom Quixote
In the Middle, Somewhat Elevated Petite Mort La Sylphide (2014)

Created in January 2008 by the Government of the State of Sao Paulo, The São Paulo Dance Company (SPDC) is directed by Inês Bogéa, doctor of arts, ballet-dancer, documentary maker and writer.

Throughout this period, the Company has been seen by an audience of more than 695,000 people in different countries (Argentina, Austria, Belgium, Canada, Chile, Colombia, France, Germany, Holland, Israel, Italy, Luxembourg, Paraguay, Switzerland, the United States of America, Uruguay, Mexico), experiencing approximately 137 cities, totaling more than 900 performances. The Company has a varied repertoire, ranging from classical to contemporary. Recognized by specialized critics as one of the main dance companies of Latin America, since its creation, the Company has produced 68 choreographies: 44 commissioned new works* of important names of international dance like Edouard Lock, Richard Siegal and Marco Goecke; Brazilian choreographers, as Rodrigo Pederneiras, Henrique Rodovalho e Jomar Mesquita and 24 restagings** of works from Jirí Kylián, William Forsythe, George Balanchine, Nijinska, Nacho Duato among others.

SPDC searches for a connection with the audience by curiosity and perception of the dance world in motion. The programs show the variety of the repertoire of SPDC and the dynamics of Brazilian dancers. The dancers are versatile and able to move from classical to contemporary dance with a particular accent. The Company is a meeting place of distinct artists – such as choreographers, light designers, photographers, guest lecturers, restagers, writers, artists, cartoonists, musicians, costume designers and others.

The Educational and Audience Formation Programs, another strand of action of SPDC, are divided into: Lecture For Educators, in which we have the opportunity to dialogue about the backstage of this art; Dance Workshops, a meeting to experience the daily life of the dancers; Open Performances for Students and Senior Citizens, in which the proposal is to see, hear and perceive the dance world; Dança em Rede (Dance Network), an online dance encyclopedia on the Company’s website and a series of 36 documentaries about the History of Dance in Brazil.

*Commissioned works: Trick Cell Play and The Seasons (Édouard Lock); Peekaboo (Marco Goecke); O Sonho de Dom Quixote (Márcia Haydée); Odisseia (Joelle Bouvier); La Sylphide , Black Swan, Le Spectre de La Rose and The Swan Lake, (Mario Galizzi); Romeo and Juliet and Ballet Pulcinella, (Giovanni di Palma); Six Odd Pearls (Richard Siegal); Inquieto and Melhor Único Dia (Henrique Rodovalho); Instante (Lucas Lima); Bachiana N°1 (Rodrigo Pederneiras);Mamihlapinatapai and Ngali… (Jomar Mesquita); Agora and GEN (Cassi Abranches); The Death of the Swan (Lars Van Cauwenbergh); Litoral (Mauricio Wainrot); Bernstein 100 (Samuel Mac Dowell de Figueiredo); Schumann ou Os Amores do Poeta (William Pereira); Mira (Milton Coatti); Petrichor (Thiago Bordin); Suíte de Raymonda (Guivalde de Almeida); Pivô (Fabiano Lima); Epiderme (Binho Pacheco); Céu Cinzento and Primavera Fria (Clébio Oliveira); Bingo! (Rafael Gomes); Vadiando (Ana Vitória); Utopia ou O Lugar Que Não Existe (Luiz Fernando Bongiovanni); Azougue (Rui Moreira); Pormenores (Alex Neoral); Os Duplos (Maurício de Oliveira); Passanoite (Daniela Cardim); Ballo (Ricardo Scheir) Entreato (Paulo Caldas); Polígono (Alessio Silvestrin).

**Restagings: Serenade, Tchaikovsky Pas de Deux and Theme and Variations (George Balanchine); Sechs Tänze, Petite Mort, Indigo Rose and 14´20” (Jirí Kylián); In the Middle, Somewhat Elevated and Workwithinwork (William Forsythe); Gnawa and Por Vos Muero (Nacho Duato); Supernova and Firebird Pas de Deux (Marco Goecke); Les Noces (Bronislava Nijinska); Prélude à l'après-midi d´un Faune (Marie Chouinard); Legend (John Cranko); Ballet 101 (Eric Gauthier); Suite For Two Pianos (Uwe Scholz); Love Fairy and Carmen (Marcia Haydée); Talismã Pas de Deux (Pablo Aharonian).

São Paulo Dance Company: Rua Três Rios 363  •  1º andar  •  Bom Retiro  •  São Paulo  •  SP  •  01123-001  •  Tel: +55 11 3224-1380

SPDC
History
Artistic Direction
Pró-Dança
SPCD Team
PRODUCTIONS
Creations
Restages
EDUCATIONAL PROGRAMS
Education and Training Project Audience
Free Show for Students
and Senior Citizens
Lecture for Educators
Dance Workshops
Dança em Rede
Dance Seminar
International Worshop SPDC
MEMORY
Dance Figures
Work Site
Rehearsal Books
Photographic Exhibition
COMUNICATION
Accessibility
Downloadable Photos
SIGNATURES
Become a Member
Capezio
Plie
Balletto
CBN
Transparência APD/SPCD
Ouvidoria da Sec. de Estado da Cultura
Portal Transparência Cultura